Saturday, July 18, 2009

National Crisis: How ignorance contribute to the looting of Nigeria's cultural artifacts.

In the 1970s, some cultural artifacts were still housed in shrines in many Nigerian villages. Those shrines were places where villagers worshiped various gods represented by the sculptures in the shrines. Example of some of the shrines are Ishundichie and Aniugala in Issele-uku dialect of Igbo Language. the early christian missionaries respected the rights of those villagers to worship their ancestor gods. Hence those shrines and their contents remained intact for some time.
In the late 1980s, a new breed of christian missionaries swoop into Nigeria. They were called "Pentecostal Christians" These are groups of misguided Nigerians who read the bible down side up, and failed to understand that the bible was a book that tells the history of a particular people (the Hebrews). not related to Nigerians , and that Nigerians deserves to have their histories represented in tangible forms too. As some of us watched in horrors, they smashed into those shrines and destroyed some of the artifacts that were kept by our ancestors to protect us from evil. Some of the artifacts were even stolen and sold to foreign art collectors by some unscrupulous members of these pentecostal churches. To them, they were bringing salvation to the villagers by destroying their "heathen gods".
I personally do not think that the bible god is superior to the gods of my ancestors for the fact that my ancestors represented their gods in tangible sculptures and other visible images. but the Christian god did not have such representations. To me, the bible god is a figment of abstraction while my ancestor made their gods real in tangible images. The unfortunate irony is that those who introduced the bible to us have flipped. They are now stealing the very artifacts they condemned as works of the devil.
With the aid of their Nigerian collaborators, they have succeeded in filling their museums and universities with stolen artifacts from various archeological sites and shrines that are being looted on daily bases. Time Pacific magazine of August 6, 2001, in an article titled Looting Africa noted that theft, Illicit sales, poverty, and war are threatening to rob the African continent of its history, traditions and qualities that its various societies have had for millennia.
The magazine reported that in early 1995, a farmer discovered a terracotta head while he was tilling his farmland in a village of Kawu, 50 kilometers from Nigerian capital, abuja. Time pacific noted that within weeks, art thieves, and international dealers flocked the village for a piece of the art rush. Dealers who specialized in smuggling cultural items across Nigerian porous borders were buying art works of the Nok people who lived in northern Nigeria at about 500 B.C.E.
Because of what transpired in Kawu, ancient Nok people who live in that village were denied the chance for their stories to be accurately told because archeologists were not on hand to properly document the circumstance surrounding the burial those artifacts. Art thieves may have robbed the Nok people a chance to have their stories properly documented, but one thing is certain: Nok figurines inspired many cultural art forms in ancient sub-Saharan Africa According to google's wikipedia on Nok people. Heilbrunn Timeline of Art history described Nok sculptures as "hollow and coil-built like potery. Finely worked to resilient consistency from local clays and gravel." Heilbrunn also observed that "Nok sculptures are so varied that it is likely they were modeled individually rather than cast from a mold." Heilbrunn also noted that "although terracotta are usually formed using additive technique, many Nok terracotta were sculpted subtractively in a manner similar to carving."
while Time pacific magazine believe that one of the major reasons why Africans sell off their artifacts is poverty, I think that ignorance is the greatest problem. Many Local people have converted to Christianity and Islam and abandoned their ancestral religions, not knowing the historical and cultural values of these artifacts, they sell them off to unscrupulous dealers at a pittance.
with these cultural items stolen and stored in museums and universities across Europe and America, it is incumbent on the government of these countries to reject and repatriate those stolen items to Nigeria.

4 comments:

  1. I doubt if leaders in Africa are really intetrested in repartriating these artifacts. To them, its of no value to as long as they allow to go on with their looting spree unchallanged. As long as the retrival of lost artifact will not beneficial it will be a pipe dream. African leaders have long lost mortgage our sense of value and sold our hearts to the devil.

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  2. l mean they have mortgage their sense of value and sold their souls to the devil. They lack the ability to embark on such adventure.Maybe in future.....maybe!

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  3. Interesting post Steve. I thought about this and I was thinking about the discussion we had in class regarding stolen art. I realize that it is unfair that the white people simply crusaded their way in and took some art in Africa, Asia, Europe and wherever else. It seems only fair that any stolen art should be returned. However, I disagree that stolen art should be retuned with two aspects, one being that current museum institutions provide a safe and reliable environment that will preserve the works for hundreds of years and another being that the value of education that museums bring to the public is greater than the benefit of returning the art.

    Modern art museums have incredible technology that allows the preservation of art to be prolonged and secured. Although this is a relatively minor factor, it is important that we keep these pieces of art intact.

    Secondly, I believe that the value that the museum experience brings to the people is invaluable. Not only do those who visit the museum view exquisite works of art, they are able to learn more about particular cultures, ethnicities and countries. If stolen art were to be returned, how would we learn about other cultures? Simulations could work but real art has a much more profound and powerful impact. Returning stolen art would yield justice but it would not repair the mistakes that the white people have made. It will only make the situation worse...people will not be able to see the beautiful art of Asia, Africa, America and so on and become ignorant of diversity and culture.

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  4. thanks for the post, it is great to once in a while read the opinion of somebody else than the museum/art market lobby, especially somebody from one of the countries themselves ...

    Personally, I do think that one needs to keep the issue of repatriation and the destruction of art works by people (converted or not) from the region or country apart ... what I mean is, I've spent some time in Maiduguri last year and there several roundabout sculptures were destroyed a few years ago - to some of my Christian friends/informants that was vandalism and further proof of local Muslim's backwardness, to some of my Muslim friends/informants the destruction was an act of liberation, they were enacting their democratic freedoms - now who is to decide who's wrong, who's right, who's sentiments are superior ...

    guess, as a Nigerian and with regard to your own culture/that of your (grand)parents you much more entitled do judge and choose than I am but, nevertheless, been thinking that its all more complicated than it might look at first sight and certainly to be distinguished from art theft for purely economic ends (the objects of which I fear comparatively rarely end up in museums where they might serve some educational purpose but the largely inaccessibly collections of some private people) - ever read Morgan's Sacred Gaze, in particular his chapter on The Violence of Seeing? really got me thinking ...

    anyway, just some thoughts that popped up while reading your post ....

    what I was wondering, can you point me towards any documented cases of Christian iconoclasm (using the word in the art historical sense, as there seems to be a different connotation in Nigerian popular discourse)? I'd bee keen to read more

    however, thx for the interesting entry and good luck with your studies

    Kat

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